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China 2: 12"/14" Meinl Generation X X-treme Stack While very similar, well explain the differences between the Superior Drummer and EZdrummer editions.Ride: 22" Paiste 2002 Black Label Vintage Ride.Cymbal 5: 20" Paiste 2002 Black Label Vintage Crash.Cymbal 3: 18" Paiste 2002 Black Label Vintage Medium Crash.Cymbal 2: 20" Paiste 2002 Black Label Vintage Crash.Cymbal 1: 18" Paiste 2002 Black Label Vintage Crash.China 1: 18" Sabian HHX Evolution O-zone Crash.Hi-Hat: 15" Paiste 2002 Black Label Sound Edge.Floor Tom 2: 16x18" DW Collector's Maple.Floor Tom 1: 14x16" DW Collector's Maple.Its 14 mix-ready presets are specifically tailored for rock, metal and progressive styles, providing the ideal starting point for creating your own incredible drum tracks. The pack features a trio of high quality kits from some of the world's biggest percussion brands - Pearl, DW and Ludwig - all sampled by Karnivool's drummer Steve Judd. but if Superior Drummer 2 is your drum production tool, the quality and versatility of samples and MIDI grooves make this money well spent.The Toontrack EZX Progressive sound pack was recorded by Australian engineer/producer Forrester Savell, whose recording credits include works by rock and metal bands such as Karnivool, Dead Letter Circus and I Am Giant.
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The collection includes a good number of 3/4 time, half‑time and shuffle patterns, so those looking for a wider palette of country music styles are also covered.Īs ever with Toontrack expansion packs, the price is not in the pocket money range. This collection does not disappoint and covers styles from Chicago blues through to straight‑ahead pop/rock. As someone who fully understands his own limitations with a pair of drum sticks, to me this part of the package is just as important as the sounds themselves. Unfortunately, the Progressive Foundry is the only SDX that isn't on sale (thought it was when I posted) or I probably would have gotten that one.
#Progressive foundry sdx vs ezx download
As a good 'all round' collection of mainstream acoustic drum sounds, Music City USA has a lot to recommend it.Īs with other expansion packs, once it's installed and authorised, users can download a collection of MIDI grooves. Anyway, I got Metal Machinery SDX last night but haven't had a chance to go deep into yet. Both the snares and kicks cover a good range of ground. The cymbals are crisp and clear and the crashes feature long, smooth tails. For tracking, this mode is more than adequate, and I suspect most folk would be happy enough to use them in a final mix. I tried the latter with a few of the larger kit presets (which loaded over a gigabyte of samples at 24‑bit) and the results were still exceptionally good. The installation offers you a choice between different levels of sample detail if hard drive space is an issue, while the SD engine can, of course, also lighten the load of the detailed sampling by using settings such as 16‑bit mode.
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Well, it certainly ought to appeal to that market, but there is enough variety in the basic drum sounds - and in the way they have been incorporated and processed in the various SD kit presets included - that they could be equally at home in pop, rock, punk and a whole range of other styles. Given the location and many of the names in the credit list, you could be forgiven for thinking this 10GB, 26‑piece drum instrument collection is aimed at country music producers. Between them, these guys have worked with Mark Knopfler, Sheryl Crow, George Strait, The Dixie Chicks, Steve Earle, Lyle Lovett, George Jones, Peter Frampton, Trisha Yearwood, Faith Hill and Martina McBride, to name just a few. Produced and engineered by Chuck Ainlay and played by Harry Stinson, the credit list of the team is suitably jaw-dropping. Given the title, there are no prizes for guessing that the recordings for this sample library were made in Nashville (well, actually a few miles south) in the very highly regarded live room of the Sound Kitchen facility.